Secrets and Shadows Box Set is here!

Are you ready?

ss-17The Secrets and Shadows Boxed Set is a compilation of TEN not to be missed Young Adult Paranormal, Fantasy and Science Fiction full-length novels that will have you turning the pages faster than ever before.
Packed with fairies, witches, shifters, ghosts, space soldiers, aliens, deadly magic, gritty dystopian worlds, complicated relationships, and the ultimate swoon worthy love interests, follow ten badass heroines with remarkable powers and gifts as they face extraordinary challenges and decisions with potentially deadly consequences. They will stop at nothing to protect everyone and everything they love. They are fierce!
With over a million words and more than 700 combined four and five star reviews, this is your ultimate young adult collection of mesmerizing paranormal, action-packed urban fantasy, enthralling time travel, gripping dystopian and captivating space operas from 10 Award Winning, New York Times, USA Today, and International Bestselling authors!
Check out this epic line up and secure your Limited Edition copy today!

The Ghost Host – DelSheree Gladden
Everyone thinks Echo Simmons is crazy, but being The Ghost Host isn’t just a YouTube hoax like people think. It’s the only way to control the ghosts haunting her…at least until the FBI shows up asking questions.

Waken – Angela Fristoe
The people of Everod have been waiting for Janie and if she hopes to survive she’ll need to confront who and what she really is.

The Midnight Society – Rhonda Sermon
Witness protection has a protocol for every threat – except magic.ss-3d-box-set

The Other F Word – Susan Stec
Even with wings you can’t fly away from fate.

Chosen – Laxmi Hariharan
His family is being held to ransom by a deadly mastermind.

Sunset Empire – Melissa Eskue Ousley
She may be guilty of arson, but she didn’t kill the burned girl haunting her.
When Elyse is haunted by vengeful ghost lurking in the tunnels under Astoria, she discovers her family may be responsible for a fire that nearly destroyed the city, as well as mysterious disappearances spanning hundreds of years. Helping her uncover the truth is Phantom, a boy with a hidden weapon and a dark heritage of his own, that could turn him from friend to hunter.

The Retreat – Kelly St. Clare
Earth was ruined. Humankind destroyed. And it’s old news.

Swords & Stilettos – Kristin D. Van Risseghem
Seventeen-year-old Zoe must devise a kickass plan to thwart evil or watch the world burn.

Saven Deception – Siobhan Davis
The truth doesn’t always set you free…
In a futuristic undersea city, Sadie falls hard for captivating Logan – only to discover he comes from another world! Romance and intrigue combine in this addictive page-turner.

Talented – Sophie Davis
As an exceptionally powerful mental manipulator, seventeen-year-old Talia Lyons can read and control the thoughts of others. In Talented, the first book of her epic story, Talia inhabits a pounding, siren-ready world as she trains to become a highly specialized covert operative.

Buy now for $0.99 or read for #FREE on #KindleUnlimited

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3 Tips for Researching #Paranormal (for your writing) #research #podcast

For Halloween, I decided a paranormal themed podcast was in order! Read the transcript or listen to the podcast for tips on researching paranormal for your writing and incorporating what you learn into your story.

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The blending of fiction genres has led to a variety of paranormal subgenres, from paranormal romance to paranormal military fiction. Readers love paranormal fiction, but they expect it to be either factual or wholly unique. Now, when talking about factual paranormal fiction, what do I mean? I mean researching the common theories, terms, mythos, and culture. Writing paranormal may sound as easy as throwing in a few ghosts or vampires. Writing paranormal that truly draws in readers takes a little more than that. Today I’ll discuss how to research paranormal and incorporate what you learn into a convincing story that will capture reader’s attention.

Research

How do you find reliable information on your chosen paranormal topic? That’s a tough question, because when you type “ghosts” into a search bar, you’ll get anything and everything. There are two important aspects of researching the paranormal for a work of fiction.

First:  You’re not looking for a scientifically proven set of facts. You’re looking for the general consensus among a community of believers. What are the hallmarks of belief in ghosts? What do most accept as standard and what are the outlier theories? What is dismissed outright? Talk to people who actually believe and participate in the culture. It’s important to understand the core beliefs of a paranormal topic in order to ground your story in the basics. Then you can take it where you will.

Second: Learn the culture. Given that I’ve been working of The Ghost Host: Episode 2 lately, I’ve been researching ghosts, ghost hunting, and concepts of the soul and afterlife. Even though Echo doesn’t need as many physical tools as the average ghost hunter who can’t see ghosts, it’s important that she knows what others are using to confirm her talents and explore their own paranormal experiences. I need to know about EMF, EVP, protocol for séances, what herbs are involved in ritual cleansings, and more. Know the terminology, tools, and implements of your topic so your character can convincingly belong to that world.

Applying what you’ve learned

The tough part of research is that you learn thousand things when you only needed to know about one. A mistake writers sometimes make is trying to cram everything they learned into their book. Just because a reader is interested in ghosts doesn’t mean they want a chemical breakdown of why salt disrupts spiritual energy.

When incorporating your research into your stories there are two questions to ask:

Is this integral to the plot? If it is, blend your research into the story as needed. Don’t info dump. Give the reader only what they need to know in each scene in order for them to suspend disbelief and stay involved in the story. Add research as you would leave pieces of a breadcrumb trail: Just enough to follow along.

The next question you want to ask is: Will this help create a believable setting or world? In The Ghost Host, I mention that one of the characters sleeps with a hex bag under his bed. Other than a brief mention of what “might” be included in a hex bag, I don’t go into any more detail. The story itself doesn’t deal with hex bags. I used it only to add to Kyran’s character and illustrate that he comes from a family who believes in the occult and doesn’t think twice about what others would consider odd.

If a bit of research doesn’t enhance the story or help with world building, save it for something else.

Suspend your own disbelief

Writing paranormal fiction, by its very nature, requires authors to write in a way that convinces readers to put aside typical logic and science and accept the unexplainable as fact. You can’t convincingly do that unless you as the writer can do the same thing. Now, just because you write about vampires doesn’t mean you have to believe in them. You do, however, need to believe they could exist in the world you’ve created in order to convince a reader to believe.

This requires the paranormal aspects of your story to hold equal weight with the plot and characters. A brief mention of one character believing in something paranormal during the course of plot and character development doesn’t constitute a complex blending of story and paranormal. If the main resolution of the story hinges on the paranormal, it can’t come as a surprise to the reader. No one likes to get involved in a coming of age story only to have a horde of ghosts jump out at the end to resolve some critical plot point. Trust me, it happens.

Even in “The Sixth Sense” where the twist is that Bruce Willis is in fact a ghost, the entire storyline revolved around the viewer believing that ghosts are real and involve themselves in the world of the living. Had there been absolutely no mention of the paranormal and the story focused only on a young boy receiving counseling for behavior issues, only to have Willis suddenly figure out he’s a ghost with unresolved issues and the boy knew it the whole time, would have been confusing at the least.

Just as when an author researches another culture, specific location, scientific breakthrough, or historical event, due diligence is required in order to fully capture what they are researching. There are many people around the world who believe in the paranormal. If you intend to write an authentic account of someone experiencing paranormal phenomena, treat it the same way you would write about anything else. Your fiction may be someone else’s real beliefs, and they’ll spot lazy or halfhearted work a mile away.

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The Oblivious Girl’s Handbook #sweetromance

The Oblivious Girl’s Handbook

Oblivious Girls HandbookHandbook Series #2

Being oblivious to all the signs that your life is about to fall apart doesn’t stop it from happening to Sara Taylor.

Alone except for the Siamese cat her boyfriend—ex-boyfriend—Joseph left behind to teach her a lesson, Sara has no clue how to survive on her own. She hasn’t handled her own bills in years, can’t meet a deadline without someone else programming alarms into her phone, and is constantly either losing important things or getting herself hopelessly lost. Sara has no idea how she’s supposed to move out of her university apartment and start her first real job without someone there to hold her hand.

Although she knows her new friend Monroe would step in to help, she’s not about to call him after having thrown him out of her apartment when his suspicions about Joseph prove true and Sara is left angry and mortified. It doesn’t take long before she is desperate to lean on someone else’s strength, even for just a few minutes, as real life begins to overwhelm her. Pride forces her to either sink or swim, even when sinking seems the most likely outcome.

The Oblivious Girl’s Handbook is available as a novella in the “Christmas Pets and Kisses 2” box set and as a full novel, where Sara faces the difficulties of a new relationship while barely holding onto being a real adult for the first time in her life.

Buy or read FREE on Kindle Unlimited

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Christmas, Pets & Kisses 2 Novella Box Set

CPK2 Box Set 3D croppedYou can now purchase the CPK2 box set for only $0.99!

Kindle * B&N * iBooks * Kobo

 

 

 

Notes from a Book Buyer

At the “Writer’s and Scribblers” retreat this past August, I was able to attend a lecture from local book buyer, Jeanne Costello, buyer for a medium-sized indie bookstore in Durango, CO. She had a lot of great insights! I go into a little more depth in the podcast, but there’s a written set of notes below.

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  • There are 40-50k books published every year by traditional publishers (This doesn’t take into account all the self-published books)
  • Maria’s Bookstore (mid-size store) carries about 10k books in their shop
    • 2/3 are older books
    • they pick up about 5k new titles per year
      • 25-30% of those are returned to the publisher with ZERO sales
      • many books only sell ONE copy/year
      • decent sales for regular books are 2-3/year
  • When thinking about approaching a bookstore to carry your books, consider how people discover books and where your would be found on a bookshelf
  • Each bookstore has specific needs
    • Durango:
      • literary fiction, travel/outdoors, natural sciences, unplug/retreat/de-stress
  • With Fiction:
    • representation matters a lot
    • to the buyer and the reader
      • is it a professional product?
  • Cover art is IMPORTANT
    • needs to speak to the person who will love your book – not just to YOU
    • should be used as a marketing tool
    • Being simply an extension of your art doesn’t always work if it’s not communicating the right message
    • must indicate clearly to readers WHY they want to read your book
    • acts as a “short cut” to telling readers about your book
  • It’s important to understand destination and discovery
    • DESTINATION
      • have a particular book in mind before approaching a book buyer
        • specific topics/need
      • work to have “critical conversations” about your book to garner interest
    • DISCOVERY
      • there are SO many books to compete with
      • cover must speak to readers and buyer
        • pay attention to conventions of genre
      • know where your book would be placed on the shelves (specific category)
        • ask yourself where readers who will love your book will go looking for it
      • know comparable books
        • easier for staff to recommend to readers
  • Identify what your ambitions are
    • big chain store? small to mid store?
    • 2-3 sales/yr? 100s sales/yr?
      • if booksellers love your book it’s a great way to make inroads and gain exposure
      • having a book on the shelves alone will NOT help you reach critical mass goals
  • Self-published
    • what the book buyer needs to know:
      • how to buy your book
      • how to reorder
        • direct from author is very hard on buyer!
        • returnable is very important to stores!
          • allows them to “try out” books
        • local stores sometimes offer “consignment basis”
  • Book sales are up…
    • but not in proportion to number of books being published
  • Amazon doesn’t sell books to make money
    • they sell them to attract shoppers who will then buy more expensive/profitable items
  • Indie stores are more relevant the last five years – important to communities and creating buzz in communities
    • 6-7% up in sales
    • paperback book sales are up
    • ebooks sale have plateaued

For a more detailed discussion, listen to the podcast!