Time for Some Homework

Recently (this week, in fact) I’ve officially gone back to college!

2016-03-29 18.34.38.jpg Originally, I intended to get my bachelor’s degree in English, but there were some issues with that plan and now I’m working on a degree in Communication-Media Studies with a minor in English. Getting my degree will allow me to teach more classes at our local community college, so here I go!

This summer I’m taking a Technical Writing class that is way more intense than I was expecting, and a Travel Writing class which is awesome.

Why am I sharing this?

Both classes understandably have homework, and since it’s writing related and I like sharing things I learn about writing with my readers, I’ll be posting some of my homework pieces here on my blog. Some for feedback, some for fun. So when you see posts about how to sew a French seam or why the Spruce Tree House is closed at Mesa Verde National Park, that’s why.

If you feel prompted to offer feedback, please do! There’s always room to learn more, and comments from readers are just as valuable to me as comments from classmates and instructors.

Have a great summer!

Open Doors and Plot Holes

Maybe this only happens in my house, but unlike the picture above with nicely closed cabinet doors, I can walk into a room and, no kidding, there is almost always at least one drawer, cupboard door, or package of something or other left open. Usually, more than one. There have been times when I’ve walked into the kitchen and literally every cupboard door is standing open because someone was looking for something and, after finding it, walked away.

What does this have to do with plot holes?

Your readers are like one of my kids looking for the bag of chocolate chips they want to add to their spoon of peanut butter. They keep looking for the answers you’ve promised them, scouring every page, rereading when they think they might have missed something, or silently working out all possible endings when they’re forced to put down a book and pay attention to real life for a few hours.

Those times when all the cupboard doors are left open because they have to search that hard, it often results from one of two things:

1: They’ve opened every other door in the kitchen and are reaching for the last one, opening it slowly, only to find, the cupboard is bare and the answers you promised aren’t actually in the kitchen, or anywhere…and they walk away, annoyed and vowing to never read anything of yours again because, dang it, when you want a snack and can only find celery sticks that make your mouth itch, your definitely not going to take the time to clean up your mess.

OR

2: They reach for that last cupboard door, pull it open and – because you’ve done an impeccable job of filling in holes and stretching out your reveals – all those awesome answers come flooding out at the very end for your reader to gobble up as hungrily as my kids might those cookies I tried to hide from them, and abandon the kitchen in complete satisfaction…forgetting to close all the cupboard doors.

The point?

Little Blond Girl Just like when my kids (my daughter specifically) stomps away, annoyed I haven’t purchased sufficient snack-worthy foods, your readers will walk away when they finish a book unsatisfied because of questions you never answered if your book leaves them with option #1.

I’ve been teaching a self-editing class this semester, and one of the best tips for avoiding plot holes is to re-outline your novel or story as you do your first major edit.

Why?

Editing sucks, right? 90% of writers will agree with me on that, I’m pretty sure.

Outlines suck even more. Okay, maybe only other pansters will agree with me on that, but that’s got to be at least 50%, right?

You know what sucks more, though? Having a reader leave a nasty review…one that’s legit and calls you out on shortcuts you took or hints you failed to live up to.

During your first major outline, take the time to outline your book, taking note of all the hints you added in, the questions you posed, and the bits of backstory you teased your readers with.

Did you follow up on each and every one?

If not, you have two choices:

1: Nix it. If you never followed up because that particular tidbit simply didn’t pan out, remove it.

2: Fill in where you neglected to follow through. Any questions you posed that pertain to that particular book (notice I’m not talking series-length questions) make sure you have an answer, or make it apparent that question will be answered in a subsequent book, if you’re working on a series.

Most readers have a Love/Hate relationship with valid cliffhangers.

ALL readers have a Hate/Hate relationship with lazy writing that leaves them questioning why they purchased a book.

Don’t let your readers down. Answer every question you ask, even the ones you might have forgotten about from those first few chapters when the concept of your story was still in flux. You’ll thank yourself later, and so will your readers. Nobody wants to end a book like Lost Season 6, trust me. Rants are still happening about that finale six years after the fact.

#Perfectionism and #Writing…

I think a lot of writers will agree that making sure their books are “perfect” is a bit of an obsession.

We obsess over every word, line, paragraph, chapter… you get the point. We’ll research something until our fingers are about to fall off from too many internet searches. Our friends will be sick of hearing about a particular troublesome scene and threaten to throw a book at us if we ask them to read it one more time.

Having said all of that, I completely agree with Anne Lamott when she said…

“Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life.”

All that obsessing over how we write our books or scenes can really kill a story. When you over think while writing, you second-guess your decisions, which leads to endlessly rewriting particular scenes, changing whole passages to try it another way, or scrapping the whole project.

Now, yes, sometimes these things have to be done, but not every time you sit down to write. If this is your process, it’ll be awfully hard to ever finish a book or story. Every writer has to develop their own process, but here are a few tips I’ve picked up over the years.

Tip #1: Whether you like to outline or not, don’t limit yourself to sticking to your outline or notes verbatim. If you feel like the story needs to take a left instead of a right, or a U-turn in a whole new direction, go with it. Let your plot develop organically and don’t feel like you have to go back to an outline and re-outline after every change. Just write.

Tip #2: Don’t edit while you write. You’ll kill your progress if you go back and edit what you’ve just written. Give yourself some time to let that chapter or scene sit and solidify. Even if you have to reread a chapter or two when you come back so you know where you left off, DON’T EDIT, aside from maybe a few typos. Even when you finish the entire book, don’t jump right into editing. Work on something else. Give it at least a week (longer if you can) and come back to it when you have fresh eyes.

Tip #3: Sending your work out to beta readers (readers who read an early draft in order to give you feedback and suggestions) can be anxiety laden. It always is. Waiting to send it out until your book is perfectly edited and all the holes are filled in just isn’t reasonable. Find beta readers you trust to be honest, let them know it’s not a perfect story and you need helpful critiques, and hit the send button. There are always problems with a manuscript that you as the author won’t be able to see. Waiting until it’s perfect just prolongs the inevitable and often leaves you with more revisions to make than you would have had otherwise.

Tip #4: Give yourself permission to make mistakes. Don’t want to put a scene on hold to do a little research? Not sure if what you’re writing is possible, but the scene is just begging to be written? Great! Keep writing! You can always go back and correct mistakes. In fact, you usually learn a lot from making those mistakes, and then you don’t make them as often in the future. It’s tough to get into a writing groove sometimes, and if you’re in one, let yourself just get your ideas down on paper and worry about refining later on.

Tip #5: Accept the fact that your book will never be perfect. That’s just how it is. There will always be something you think could have been better, or should have been changed. Reviews will make you doubt scenes or chapters or endings. It will never, ever be completely perfect…and that’s okay.

Category: creative writing