Book Blurbs: Crafting the Blurb

While the hook is critical to a great blurb, the body of the blurb deserves equal attention. Consider it’s effectiveness as a whole as well as it’s individual parts.

Word Choice Matters

Choosing the right words can make all the different in a blurb. Be certain to make sure your word choice communicates the tone of the story by using words that fit the genre and situation. A dark thriller will use more intense wording while a rom-com will use light, fun words.

Word choice should also match the time period and regional setting. If you’re writing historical fiction that should be apparent within a few sentences through carefully selected words and phrases. Maintain regional accuracy without overloading the blurb with slang or colloquialisms.

It’s also all right to use hyperbole when appropriate, such as “unimaginable” for a shocking crime or “intoxicating” for a sudden and passionate romance, but don’t overdo it. Stuffing the blurb with hyperbole will exhaust the reader.

Avoid clichés, superfluous words, description, unnecessary adverbs, and “chatter” as much as possible. The blurb should be too the point and directly communicate the basics of the story to the reader.

Be Concise

Blurbs should run 100-150 words in most cases. Blurbs placed on the back cover of a book may be longer depending on space available during formatting. Blurbs for online retailers should be on the shorter end of the range since people browsing often skim.

Don’t try to tell the reader everything you think might interest them in a blurb. Stick to the important highlights and leave backstory, secondary characters, subplots, and similar information to be discovered when reading the full book.

It may be helpful to start writing a blurb with bullet points to sift out what should and shouldn’t be mentioned. Expand on the bullet points with 1-2 sentences about each point.

Utilizing Cliffhangers

This isn’t a must in a hook, but for many stories a cliffhanger ending in a blurb will be a good nudge for readers toward purchasing.

Cliffhangers can also help you avoid giving away too much in a blurb. Cliffhangers focus on the main conflict the characters face but only hint at a possible resolution. It’s important to present the problem and leave readers wondering how the character will overcome it.

The answer to how the story will resolve shouldn’t be too obvious.

Even with books that are more formulaic, it’s important to make the reader curious about how this particular story will unfold. While most romances end in a happily-ever-after scenario, they don’t (or shouldn’t) all reach it the same way. Hint at the uniqueness and leave it at that.

Formatting the Blurb

Once you’ve finished crafting the blurb, the work isn’t quite done. It’s important to format blurbs according to genre conventions. Each main genre has it’s own nuances when it comes to formatting. Fore example:

Contemporary romance tends to use short, 1-2 sentence paragraphs that highlight main points of the storyline.

Historical romance tends to use longer paragraphs with a more in-depth summary of each point of interest.

Study blurbs on Amazon in your genre to make sure you’re formatting correctly. Of course, sometimes you need to break out of conventions to highlight a unique aspect of your story, but make sure there’s a reason for using a unique format and that it conveys the tone or action of the story.

Effective blurbs intrigue readers. Highlight the most interesting aspects of the book that will hook readers and make the need to find out more great enough to click the buy button.

Book Blurbs: Irresistible Hooks

The first few lines of a blurb should contain the hook, the attention-grabbing snippet of information about the book that will entice readers to wonder what will happen next and hopefully get them to buy the book.

Crafting the Hook

A great hook catches readers’ attention, but there are different ways to accomplish that. Consider these examples from published novels:

Write something that startles the reader: “Shaye Archer’s life effectively began the night police found her in an alley, beaten and abused and with no memory of the previous fifteen years, not even her name.” Malevolent by Jana DeLeon

Open with the inciting incident: “When Willow is born with severe osteogenesis imperfecta, her parents are devastated—she will suffer hundreds of broken bones as she grows, a lifetime of pain.” Handle with Care by Jodi Picoult

Create intrigue: “Inspired by a terrifying true story from the author’s hometown, a heart-pounding novel of suspense about a small Minnesota community where nothing is as quiet—or as safe—as it seems.” Unspeakable Things by Jeffrey Eugenides

Introduce something ominous: “A bloodthirsty sheriff is terrorizing a small Texas town where justice has been buried with his victims.” In the Heart of the Fire by Dean Koontz

Make the characters sympathetic and relatable: “What happens when the most beautiful girl in the world marries the handsomest prince of all time and he turns out to be…well…a lot less than the man of her dreams?” The Princess Bride by William Goldman

Capture the reader’s heart : “Every so often a love story so captures our hearts that it becomes more than a story—it becomes an experience to remember forever.” The Notebook by Nicholas Sparks

Focus on the Main Characters

Introduce the main characters and leave the side characters for the reader to discover once they start reading. Trying to include side characters in a hook will make it too wordy and confusing for the reader. If a reader has to reread a hook to understand it, you’ve already lost them.

It’s important to get readers interested in the characters right away. That means focusing on the basics, the most intriguing aspects. Give his or her name, a few important traits that make the characters unique or interesting, explain what the situation is, and what dilemma or conflict the characters are going to face.

Staying focused on engaging and capturing the reader’s interest with a hook will help you pair down unnecessary details and highlight the strengths and uniqueness of your book.

Writing a Query Letter: Part 4

To find the first part of this series, Click HERE. For Part 2, click HERE. Part 3, click HERE. To listen to the full discussion on the Write. Publish. Repeat. Podcast, click HERE.

Query Writing Tips

Now that you have the basics down, how do you actually write a GOOD query letter?

The blurb/summary is going to be a HUGE part of your pitch and often requires the most attention and revisions.

The next section will go over tips and tricks for writing a query letter that will grab an agent’s or publisher’s attention.

Open Blue BookWhen to write the Blurb?

Before or After?
Depends on the author

Before
Why would you do this?
Not as emotionally invested yet.
Not EVERYTHING feels important.
Focus your thoughts on the story highlights.
Which can help with writing.
Saves you from having to do it later.
Allows you to promote early.

After
Have the full concept in place.

Avoid having to rewrite due to plot changes.

Better idea of future plans.

Anatomy of a Blurb

Situation/Character intro

Problem/Conflict

Hope of Resolution

Tone/Mood

Invisible CastSituation/Character Intro

Jump in right away.
Situation and Character intro right away.
No wasting time with description/thought.
Intro the setting as well.

Who is this story about?
What situation makes their story interesting?

First sentence should introduce both.

Make them interesting!
YOU know them well, so present them in the best, most interesting light

Example:

“In 1938, a small crooked-legged racehorse received more press coverage than Hitler, Mussolini, Roosevelt or any other news figure.”(Seabiscuit, Laura Hillenbrand)

Don’t mislead!
If they start reading and it doesn’t hold up…they’ll put it down

Depressed young homeless womanProblem or Conflict

A hint of the plot…
What challenge is your MC up against?
Simplify as much as possible.There may be multiple conflicts that all seem important.
Focus on the MAIN conflict.

How is this conflict going to hurt/hinder your character?
Again…simplify to the main points. Pick the biggest, most detrimental effect to focus on in the blurb

The blurb is a teaser. Hook the agent/pub…leave them wanting more. This is usually better accomplished in a short blurb.

Some like to end on a question (but not a rule)
“As mouths water in anticipation, can the solemnity of the Church compare with the pagan passion of a chocolate éclair?”(Chocolat, Joanne Harris)

“Lisbeth Salander—outcast…enigma…avenger…”(The Girl with the Dragon Tattoo, Stieg Larsson)

End on a cliffhanger!

HopeHope of Resolution

Don’t be too depressing!

How will your character potentially thwart all the trouble the conflict is brewing?

Don’t reveal the end of the story, but DO suggest a possible escape.

Make readers want to solve the problem.

Tone and Mood

The tone or mood of your query should match the book.

Fun, dark, moody, silly, inspirational, etc.

Let readers know what is in store for them so they know what they’re getting into.

Join me next week for the final part of the Query Writing Workshop. Tips & Tricks, tracking queries, and query pacing.

Listen to the full discussion now on my new podcast!

Write. Publish. Repeat. Podcast: How to Write a Query Letter Without Going Completely Crazy

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