Setting can help determine the mood and atmosphere of a story. These should vary throughout a story when the setting and other factors change.
First, a few definitions, because it’s easy to confuse these elements”
- Mood is the emotional feel of a scene, created through specific language meant to put the reader is a specific emotional state.
- Tone is the way the author expresses their attitude toward the setting and scene through their use of narrative devices such as description and vocabulary.
- Atmosphere is the combination of mood and tone, and is created through the author’s specific attitude or approach to writing a scene.
Carefully consider the words you use, the tempo of your sentences, and the point of view and perspective used when writing a scene.
Description
How a setting is described can change the way both readers and characters perceive the scene and how characters interact with the setting. If the scene has a fearful element, characters will move through it more slowly and the reader will read more slowly so as not to miss anything.
Description also helps to develop the tone of a scene. Use words that match the atmosphere you are trying to create. For example, a bird who chirps creates a different feel than one who squawks or caws. Textures, smells, and lighting can also be used to create a specific mood and tone. Use all five senses to fully develop a scenes description.
<a rel="noreferrer noopener" href="http://<!– wp:paragraph –> <p>Tone words<a href="https://examples.yourdictionary.com/tone-examples.html" target="_blank" rel="noreferrer noopener">https://examples.yourdictionary.com/tone-examples.html</a> include words like cheerful, nostalgic, melancholic, arrogant, etc. </p> Tone words include words like cheerful, nostalgic, melancholic, arrogant, etc. Mood words should go beyond expressing feelings involved in the scene and describe movements, actions, decor and more.
Description of the covered bridge in Sleepy Hollow has a much different feel than description of the Love Lock Bridge in Paris. A well-worn blanket suggests it has been used and cherished while a threadbare blanket suggests lack of funds and support.
Tempo
Match sentence tempo to what is happening in a scene. Use a quick tempo for an intense or frightening scene by writing shorter sentences, using high-impact words (single descriptors rather than multi-word descriptors), limit extraneous details not absolutely needed, stay focused on the action, and avoid long sections of dialogue.
For slower tempo scenes, focus on using longer and more fluid sentences for calm or contemplative moments. Description and internal dialogue can help slow the pace when you want the reader or character to pay particular attention to something, or to give the reader time to process the scene more fully.
Certain types of action can change the tempo of a scene as well. Fast or frantic movements create anxiety or a feeling of need. This may include things like searching for something, running, shifting, or pacing. If, however, a character in engaged in slower movements, a calmer feeling will pervade the scene. Low-tempo actions may include reading, lying on a couch, strolling, folding laundry, or cooking.
Point of View
Consider which point of view will create the right feel for a scene. First person is very immediate and can cause emotions to feel more intense and immediate. First person also puts the reader in the middle of the action or emotion as it is happening. For romances or personal stories, this ca help the reader feel they are experiencing the story with the characters and create a stronger atmosphere.
However, first person may be too much for some topics or events, such as those which may have triggering effects for some readers. First person can also be too limiting if the reader needs to know details happening around the character but not necessary within his view or awareness.
Third person provides distance and an wider view of events, but also has it’s pluses and minuses. Third person typically allows for more thorough description because the character does not necessarily have to be physically taking note of scene details in order to share them with the reader. It can also provide a buffer between the story and reader when there are difficult subjects or events. If the emotions or actions of a scene need to be close to the reader in order to set the right atmosphere, third person may provide too much distance and weaken the mood and tone.
There will, of course, be different types of scenes throughout a story that might have conflicting point of view needs. Consider the story as a whole and determine which will work best for the majority of scenes and be flexible with other scenes.