Tag: secondary character development

Villains and Secondary Characters: Mirroring Effect

Mirrors in fiction are characters who reflect the main character and reveal insights into the main characters behaviors, thoughts, and motivations. A mirror allows the main character to check the state of their own being or learn lessons from their mistakes.

Secondary characters often act as mirrors for main characters, however, that should not be their only purpose in a story.

Character traits in a secondary character that will be used for a mirroring effect need to be used realistically. This means that these traits need to come from somewhere and not exist in a vacuum.

Develop an element of his or her backstory that explains the trait, such as relentless pursuit of monetary success being related to a parent who could never consistently provide for that character as a child. The main character can see the actions the secondary character takes to reach his or her goal and use that as a barometer for how much she is letting her drive for financial success compromise her moral standing.

This level of similarity is recognized by the main character and causes dislike or disgust (or with an opposing trait, longing and need for a similar situation like a happy and respectful relationship). The main character thinks he or she knows the secondary character and can predict or expect a certain action or reaction, but often fails to fully see the same in his or her self, which leads to making mistakes. The reader sees the bigger picture and similarities more fully when this is done well.

Having said that, if the secondary character only exists as a mirror, that character will feel flat and less relatable. If their actions or emotional responses are too easy to predict the reader will be bored and likely not find that secondary character believable, which then lessens the mirroring effect. Emotions and drives are complex, and that needs to be true for secondary characters as well as main characters.

Well developed secondary characters are not always predictable, but when they do act as complex mirrors they provide opportunities for the main character to make mistakes and learn from them in a more believable way.

Villains and Secondary Characters: Altering the Focus

When you begin plotting or developing a story idea, the main characters are necessarily the focus, however, once you are into the details of the story it’s important to alter the focus occasionally to better develop the secondary characters.

If a secondary character seems to be falling to the wayside or not sticking in the reader’s mind, that can be a good time to turn the focus toward that character. This can provide a needed break from the main storyline and give the reader a change to process information or a big event or change while still progressing the story in an interesting way.

Shining a light of a secondary character’s motivations and desires may also give insight into his or her relationship to the main characters and overall storyline.

Consider questions of this nature to help you give a secondary character more meaningful page time: Who does this character love or hate and why? What does he or she fear? What are his or her thoughts about the journey taking place in the story? What personal issues of a secondary character may impact the main character’s journey?

It’s okay for a secondary character to have a life away from the main character. Most of their page time will relate to their interactions with or impact on the main character, but not all of it. Allowing a secondary character to exist semi-independently in the story provides more opportunities for that character to influence the story and main character because he or she is more fully developed.

A great example of a secondary character with an independent story that is only occasionally given focus (to great effect) is Cliff from Once Upon a Time in Hollywood. The viewer never gets his full backstory, but it certainly exists and seems to be quite interesting. It led to his connection and interactions with the main character, but it’s only brought to the forefront of the story when needed to explain why he sticks around and can’t find consistent work elsewhere in Hollywood. Even thought the viewer never gets to know Cliff fully, he feels quite complex and realistic.