One of the most commonly taught and used story structures in the 3-Act Structure. In this post I’ll break down each act and what should be in it.
Act 1 – The Beginning
Act one compromises about the first 25% of the story and has three main parts.
- Introduction: The introduction should establish who the main characters are and what their “normal” life looks like at that point in time.
- Inciting Incident: The inciting incident presents a situation that will prove to be a catalyst for change and which will set the story in motion. In a romance novel, this is usually the meet-cute.
- Plot Point 1: This first major plot point will introduce the central conflict and present a call to action for the character. The character(s) then react to the inciting incident and call to action, usually accepting the call and setting themselves on the path of the story and character arcs.
Act 2: The Middle
Act two compromises about the middle 50% of the story and contains the bulk of the plot.
- Confrontation: During the confrontation, the main character faces the first obstacle to achieving his or her desire or goal. In a romance novel this is often something that will prevent a real relationship or keep the main character’s apart, either physically or emotionally.
- The midpoint: At the midpoint, the main character faces the central conflict in some way. The realization causes a change in the character. This is often a revelation about the self, information about another character, shocking news, reflection on the main conflict, etc.
- Rising action: During the rising action, the stakes must rise for the main character, building up to the central conflict he or she must face. This is usually achieved through subplots and new information about the central conflict.
- The second plot point: This is the highest point of tension. It is a crisis that makes the desired ending seem impossible. This should use high emotion to engage the reader and make them concerned for the character. This MUST be believable enough to make the reader think a happy ending may not be possible. This should be big enough that it can’t be resolved easily.
Act 3: The End
Act three compromises the last 25% of the story and contains the worst moment for the characters as well as the resolution or climax and the final ending.
- Pre-climax/darkest night: In this blackest moment, the character faces the possibly of not achieving their goal during a final clash with the antagonist and deals with the fallout of the crisis The character may realize a new goal that will help them move past the crisis (often alone).
- Resolution/Climax: This is the final moments of the main conflict where it is resolved by providing an answer to the main problem/conflict. This is normally a single scene, but may extend to several scenes if the resolution/climax is complicated or involves interactions with multiple characters.The main conflict’s resolution MUST be believable and not a simple misunderstanding. The solution should be real and still have an element of risk. The benefits of taking the risk should outweigh staying safe.
- Denouement:This final ending fulfills all promises to the reader. Make sure to tie up loose ends, answer questions, underscore the theme, in order to leave the reader satisfied.
There is, of course, room to make changes or try new tactics within a 3-Act story structure, but it is still important to make sure you hit all the main elements in some fashion.