Posted in book covers, books, contemporary romance, cover design, date shark, date shark series, ebooks, editing, publishing, romance, writing

Re-releasing the Date Shark series

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Earlier this year, I got the rights back to my Date Shark series, and I knew it wasn’t going to be as simple as simply republishing them for several reasons.

The editing on the first book had been horrible, and I realized when I started re-editing that the edits I had sent back to the publisher five years ago had been ignored. I’d received multiple complaints about the editing from readers when it first published, but it was out of my hands at that point.

The editing did improve over time as the publisher I was working with upgraded their editing staff, but there were still enough errors remaining that I knew the entire series needed to be re-edited. That process took me almost five months because I didn’t have a lot of spare time after starting a new job at the newspaper and taking on a few too many freelance projects.

I also needed new cover art before I could republish the series. I was happy to redo the first book’s cover, but I had chosen the model art for books two through four, so at least I didn’t have to start completely from scratch. My main challenge was not being able to use the cool shark fin A in the original cover art and trying to find something comparable. My husband helped me choose a new font and rightly steered me away from trying to include any water-like effects and just go with the sketched shark logo instead.

My next challenge was when to re-release each book. I asked other authors and got advice on scheduling, but in the end, it took me so long to format each book that they ended up spacing themselves out well enough, for the most part. Books two and three released within days of each other because, honestly, I was sick of working on them and just wanted to be done.

Going back through these books was actually a fun experience overall. I hadn’t chatted with these characters in almost three years and had forgotten how much I loved them! Sabine and Michael’s story is still my favorite of the series, and rereading the books reminded me that poor Leo never got to have his own story.

I had planned to give Leo a voice as the final book in the series, but because of issues with the publisher and limited writing time back then, I stored the idea away for later. I do have some other projects that need attention, but I want to eventually come back to Leo’s story and finish off the series by giving him his own happy ending.

For now, the series is back up on all the major retailers and ready to meet new readers!

You can find all the links here.

Posted in books, publishing, self publishing, writing, writing advice, writing thoughts, writing tips

#AuthorChat with @TS_Krupa

Last week I was able to try something a little different!” target=”_blank”>TS Krupa, author of “The Ten Year Reunion,” invited me to chat on a new-ish platform called Blab. The neat thing about this is that you get audio and video, split-screen, as you watch the chat session. It was so much fun!

The replay of the chat is stored on the site and available to watch at any time!

author chat

Posted in ebooks, publishing

Google Play: God of eBooks? I think not.

Amazon gets a lot of crap for their relations with indie authors at times. In my personal dealings with Amazon, they’ve done a great job of helping me when I need help, fixing things that get screwed up, and answering questions. I don’t love every single thing about Amazon and how it works in relation to ebook publishing, but I’ve had a very good experience with them.

Play StoreEnter Google Play…

I feel like I should follow that up with a “dun, dun, dun” because the experience I just had with them certainly wasn’t pleasant nor the kind of thing that would lead me to recommend their service to, well, anyone.

What drove me to Google Play?

Many of my Wattpad readers aren’t in the US. In fact, a hefty majority of them are not. Not everyone can get on Amazon and order books. The Play store is easier for some of them to use and several mentioned their parents had set up monthly allowances for them on the Play store and they could buy my books there if only they were available. So, I went on a search to figure out how to add my books to the Play store.

That seriously took forever. The setup when I first looked into it was ridiculously complicated and the system was pretty buggy. I gave up after a while. Recently though, I got asked again if my books were on the Play store and re-investigated. Surprisingly, the platform had improved enough that I could at least get through the process of adding all my books.

Done, right?

Not quite.

The last few months I’ve noticed my sales figures on Amazon dropping bit by bit. That happens pretty much every summer, so I didn’t think much of it at first. But it kept dropping.

This summer has been super busy for our family so I wasn’t paying great attention to what was going on with my books on Amazon until I went in to setup and price my Aerling Box Set and realized several of my books were being pretty steeply discounted on Amazon.

Given that I hadn’t changed the price on any other platform for Amazon to price match, I wondered what on earth was going on? I shot off an email to Amazon asking what the deal was, and as always they sent me back a quick reply saying the book in question was currently discounted more than $1 (That’s a lot in ebooks) on…you guessed it…Google Play store.

So, of course, my next online stop was my Play account to figure out how the price had gotten changed. Hacker? Kids playing around when I left my computer on? Magic?

Question MarkThe answer…?

Google Play Store itself. Yep. They apparently think of themselves as the GOD of ebook publishing. Every single one of my books that wasn’t already free had been discounted between 0.50 and $1. You can bet I was pissed. A quick internet search and a Facebook post brought back some interesting answers.

Buried inside the user agreement for the Play store it says, Play gets to price your content however it wants. You can set your own price, sure, but they’re going to ignore it. Thinking, surely that can’t be true, because what kind of company tells their content producers that sure you can sell your stuff with us, but we get to pick the price and you just have to live with it even if it negatively affects your sales with other merchants?

Surely not, right?

Surely YES.

When I opened up a chat session with customer service and put the question about the discounting straight to them, their answer was, “WE’RE GOOGLE. WE CAN DO WHATEVER WE WANT.”

Okay, that wasn’t the exact wording, but it was indeed the answer to my question. NO they would not change the price back. NO they would not compensate for royalties lost because Amazon price matched them. NO they didn’t care that this might be an adverse effect of their pricing policy. NO. Just NO.

My answer to them?


See ya later Google!

I pulled all my books as soon as I closed the chat and I will no longer be offering any of my books on the Play store or any platform that so blatantly disregards and takes advantage of the people providing them with content. I’m far from the only person who’s had to deal with this–as I found out after posting the question on Facebook–and I won’t be the last.

I know I’m not the kind of author who can say, DON’T sell your books on Google Play and suddenly everyone will abandon it, but I help authors get started in indie or hybrid publishing fairly often. I teach publishing and writing class at our local community college–which I know isn’t a huge deal–but you can bet I will never again include Play as a legitimate and worthwhile publishing platform in my recommendations or classes.

Thank you for the lesson learned Google Play.

Posted in publishing, query letter

Writing a Query Letter: Part 1

The query writing process incorporates some of the most frustrating aspects of publishing.

But…it’s necessary no matter what publishing option you choose

Typewriter illustrationWhat is a query letter?

According to Jane Friedman, the CEO and co-founder of Open Road Integrated Media, this is the definition:

To seduce the agent or editor into reading or requesting your work. The query is so much of a sales piece that you should be able to write it without having written a single word of the manuscript.

In other words, it’s your pitch to agents, publishers, and readers.

Query Letter Basics


◦Pitch to “sell” your book

◦Professional letter

◦First impression

◦Book MUST be finished!

But First…

How to sift through the billion search results to find an agent to query?

Blond Business WomanQuery Tracker

Agent Query

Publisher’s Marketplace

Preditors and Editors

Dark Markets (Short Stories/Mags)

◦Agent Interviews

◦Be as SPECIFIC as possible

◦Social Media Stalking 😉

Nest week I’ll be discussing the parts of a query letter in detail, or if you want the full lecture now, check it out out on the Write. Publish. Repeat. Podcast now.

Write. Publish. Repeat. Podcast: How to Write a Query Letter Without Going Completely Crazy

Posted in publishing

Publishing Primer: Publishers Part Two

Today we’ll be discussing some of the disadvantages of working with a publisher. To find the post discussing the advantages, click HERE.

So, let’s talk why you might not want to work with a publisher. With every publishing track there are negatives and positives.


Publisher’s timetable
6 months to one year +
Bigger publisher = slower
Sequels or other books may be delayed to accommodate other authors
Publishers have to prioritize (money is a big deciding factor)


Majority of the marketing (time and cost) will fall to you
Small publishers have limited budgets
Large publishers have larger budgets, but it’s funneled to large projects
Results of marketing (time and money) is split with publisher

Rope 2Loss of Control

3-5 years is not uncommon (may be less)
Lose ability to post or publish your work in any other capacity
Book production is up to your publisher’s discretion. You may be asked for input, but the final decision is theirs
Future works may automatically fall under the control of your publisher as well\

Dollar SignMoney

Royalty rates TO THE AUTHOR vary
Large publisher: 5-25% (5-15 on print, 25 on ebooks)
Small publisher: 30-40% (all formats)
Hybrid publisher: 40-50% (ebook only)
Royalties help publishers recoup the initial expenses
This can be a large percentage of money the author will never see

Choosing whether or not to work with a publisher is just as important and choosing a publisher. Research is key!

Posted in publishing

Publishing Primer: Publishers

What does it mean to have a publisher? Are you better off with one or without one?

DeathtoStock_Creative Community9What is a publisher?

This is a more difficult question to answer than you might think!

Later on, we’ll discuss the different types of publishers, but for now, let’s start with the basics:

A publisher is a person/company that issues books/journals/etc. for sale.

Prep your manuscript for publishing.

Other aspects depend on the particular publisher.

Dollar SignWhat are the advantages to having a publisher?

A reputable publisher should NEVER ask the author for money.
What costs are publishers fronting?
Editing: $500-600
Cover design: $100-600.
Formatting: $100-300

Editing, formatting, design all take time away from writing
The author is free to pursue other interests like writing or marketing
Setting up a book for publishing also takes time

Expanded Distribution/Marketing Options
Publishers can get into places that authors often can’t
EX: book signings at chain stores, special programs, “in stock,” events, etc.
High volume production = better deals from printers or events

More creditability (Sometimes)
Answers to questions

Smaller publishers = greater amount of marketing
Your success = their success
Larger publishers = bigger budgets and marketing departments
Some of the costs of marketing will be taken on by the publisher

Next time we’ll discuss some of the disadvantages of publishers.

If you’d like to learn more about the pros and cons of Agents, you can find part ONE here and part TWO here.

Posted in agents, publishing

Publishing Primer: Agents

What is a literary agent?Blond Business Woman

A literary agent represents authors and submits to publishers and editors on their behalf

  • They also:
    • Negotiate Contracts
      Negotiate contracts outside publishing

What are the benefits of having an agent?

  • Open Doors

    Avoid the slush file
    Pre-vetted status
    Bypass slow steps
    Agent only options

  • šKnowledge

    š“In the know”

    šDepends on how good the agent is and how good their contacts are

    šAccess to specific information

  • Mediation

    Navigate disputes
    Knowledgeable in: publishing contracts, foreign rights, media rights, royalty negotiations
    Disputes are common occurrence
    **Getting a lawyer involved is sometimes necessary

  • Advice

    Guidance for new authors
    Knows the book market and current trends
    Marketing opportunities

What are the drawbacks of having an agent? 702f1-girl2bwith2bbooks

  • Money

    Legitimate agents will NEVER ask you for money
    Do get a cut of the royalties
    Domestic sales: 10-15%
    Foreign sales: fixed rate of 20%
    Film/media sales are usually negotiated separately

  • Time

    Querying can be SLOW
    Once you have an agent, querying starts all over again with publishers
    How long?
    A few months to several years
    It may not happen
    There should be a time limit in your contract

  • Control

    Once you sign, publishing options may be more limited
    Submissions are handled directly by your agent
    Additional work you write may automatically come under the agent’s control
    Variations of your book that are produced (film, graphic novel, audio, translation, etc.) may entitle your agent to a cut

Stop back by soon for more discussion on Publishers, Agents, and Publishing in this new Publishing Primer series.