Excerpt: The Stressed-Out Girl’s Handbook

Just to offer up proof to my poor readers that I have actually gotten some writing done lately, here’s the first chapter of the third book in The Handbook Series, The Stressed-Out Girl’s Handbook.


My head fell into my hands after I ended the call, thinking for the dozenth time that day that I simply couldn’t add one single more thing to my plate without my head exploding.

The resident-side door opened to the office and Sara walked in. A visit from my favorite resident and friend usually put me in a better mood. The guilty expression on her face said this would be a rare exception.

“Hey, Aspen. I need a small favor,” she began, “if you can squeeze it in tomorrow. I know you’re getting ready for classes to start Monday, and I wouldn’t ask if I had any way of getting there myself.”

I cringed internally, but Sara was the only reason I’d passed calculus last semester and I knew I would do whatever she needed of me. “Of course. What is it?”
“Monroe and I are booked all afternoon tomorrow checking out reception venues,” she began.

Frowning, I couldn’t help interrupting. “I thought you picked a place months ago.”
Sara sighed. “We did. And then a pipe burst and it flooded. The damage was pretty bad and they said there’s a chance repairs won’t be done in time, so we’re scrambling to find a new place.”

The more Sara got into planning her and Monroe’s wedding, the more I wanted to stay far away from marriage for the foreseeable future. “I’m sorry, Sara. That really sucks.”
She shrugged and shook her head. “Something was bound to go wrong. At least we still have a few months before the invitations have to go out.”

For a moment, she seemed lost in her thoughts, probably mentally running through the checklist she reviewed constantly to make sure she wasn’t overlooking something.

“So, what did you need me to do?”

Startled out of her thoughts, she chuckled. “Sorry, yeah. The photographer we booked wants to take a look at the church we’re holding the ceremony in to take some pictures and plan everything out. The only day the caretaker is available while the photographer is in town is tomorrow afternoon, of course. He won’t let the photographer wander around unescorted, and he’s too busy to do it himself.”

“What time?” I asked, trying to keep the wariness from my voice.

“Two,” Sara said in a tone that was hopeful the time wouldn’t be a major inconvenience.

I held back a sigh. “That’s totally fine.”

It wasn’t, but I would figure out how to make it work.

Sara leaned over the dividing wall and hugged me. “You’re a lifesaver!”

“No problem,” I said.

Sara didn’t catch the drop in my tone. After hurriedly giving me the address and contact info for the photographer, she rushed off to meet Monroe for some other wedding planning task. As soon as she disappeared form view, I sank into my chair.
My last weekend before the fall semester started was supposed to be relaxing. I’d even turned down invites from friends and classmates to go out and let loose a little before having to bury myself in lectures and assignments again. Ten minutes after I’d so no to a weekend of drinking and dancing, the calls, favors, and unexpected tasks had begun pouring in. I wasn’t even sure where I was supposed have time to eat at this point.

Plopping my chin onto my hand, I stared at the clock. Half and hour to go until the end of my shift. At least I would have the rest of the afternoon to catch up on cleaning and grocery shopping. I hated starting a new semester already feeling like I was behind. Sadie would be gone all weekend, thankfully. As a roommate, she wasn’t the worst, but she was far from the best either. If I didn’t get the apartment settled this weekend, it would be Christmas break before I had time to de-Sadie the place. Tidiness was not her best attribute. Neither was being quiet while endlessly playing video games.

The office phone rang and I snatched it up. The well-practiced, polite and cheerful greeting I’d perfected over the last year, spilled out of my mouth.

“Aspen,” my boss Archie said, “Cameron called in sick. I need you to stay until six.”
I balked, an absolutely not parked on my lips. I’d already covered for him twice over the past two weeks, and I had no doubt his illness was called going out to party with his friends.

“Is that a problem?” Archie prodded.

“No,” I said, deflated. “I’ll stay.”

“Great. Thanks.”

He ended the call too quickly to hear my sigh. Cameron had worked here two years longer than I had, and despite his spotty track record of showing up on weekends, holidays, or nights when he’d rather be doing something else, Archie never made a big deal about his absences. Part of that was because I had never failed to cover one of Cameron’s missed shifts, but I suspected it was also because he reminded Archie of his grandson.

The fact that I was stuck here for another five hours meant I had plenty of time to make the call knew I would need to make after Sara’s request. I stared at my phone. Texting would be easier, but pointless. She’d never see it. Even if by some miracle she did see a text from me, replying was out of the question, so I would never know whether or not it had been received.

Phone call it was.

I unlocked my phone and immediately felt like it was mocking me. My call history was still up, the number I needed to call at the top of the list, as well as the next in line, and the next, and the next. She wasn’t going to be happy. I’d already agreed to help Sara, though, and that was more time sensitive. Not that she would see it that way when I told her I would be delayed.

The number stared back at me for several more minutes as I choose my words. By the time I finally made the call, I had rehearsed both side of the upcoming conversation and dreaded it even more.

She picked up on the third ring.

“Aspen, is everything all right? You’re still coming, aren’t you?”

Weariness spread through me at her panicked tone. “I’m still coming, but I’ll be a little later than expected.”

“How late? I need you here.”

She didn’t. Not really.

“Half an hour, maybe an hour,” I said. “I’ll be there, though. I promise.”

“But…”

“You’ll be fine.”

“You don’t know that,” she argued.

I did, but saying so wouldn’t make this conversation end any quicker.

“It will be fine.”

She gulped in a worried breath. “I’d really rather you came at noon.”

“I can’t. I don’t even get off work until one. I already told you that.”

Her fear and frustration were almost audible. “I don’t like changes. You know that.”

Boy did I ever.

“I’ll be there as soon as I’m done to check in on you, okay?”

Several seconds passed in silence. “Are you sure you can’t come earlier?”

“I’m sure.”

She sighed so long and deeply that I couldn’t resist rolling my eyes. “I’ll see you tomorrow, okay?”

“Okay.” Her voice was morose, her single-word response stretched out.

I offered a quick goodbye and ended the call.

Tossing the phone down did little to ease the mounting stress. It was settling behind my eyes, promising a headache that would linger. I was tempted to lay my head down on the desk, nap and hide from any additional problems.

The office phone rang. I groaned out loud and glare at it before snatching it up.

“Manager’s office. How can I help you?”

“Um…there’s water pouring out from beneath the kitchen sink.”

New Release: Memory’s Edge 2

It’s taken me years longer (literally) than I planned to finish this book and get it published, but it’s finally available! The second part of the Memory’s Edge Duet completes the series!

Memory’s Edge Series

PART TWO

Most people only have one life-changing experience, but John and Gretchen are on round two of having their lives sent into utter chaos.

After a year of living with Gretchen after being attacked and left for dead with no memory of his former life, John’s memory returns when his wife and children find him. Leaving Gretchen weeks before their planned wedding breaks both their hearts. Being reunited with his family is a balm to that loss, but John quickly realizes the old adage that you can never go home again is even truer when you still don’t remember huge sections of your former life. A spotty memory compounds family infighting, a risk of financial ruin, and having no idea how to step back into a marriage that is complicated by his lingering love for Gretchen.

Even though Gretchen was the one to release John and step aside, going home to her friends and family and the curiosity and pity of an entire community quickly overwhelms her. Friend and neighbor Carl has been in love with Gretchen nearly since the day they met. She knows he would be more than willing to help her forget the pain of losing John, but diving into a new relationship is the last thing Gretchen needs. Feeling lost, broken, and confused leaves Gretchen floundering to figure out how to move on.

As they both face starting over, again, the pull to fall back into the familiarity of each other’s arms weighs heavily against facing the struggle to move forward.

Memorys Edge Maybes

The Final Date Shark Book has arrived!

Ending a series is always a tough thing for me, but I’m so excited to wrap up The Date Shark Series with Leo Bailey’s story in “Repelling the Shark!”

Repelling the Shark

the Date Shark series, book 5

Repelling the Shark

Simple and easy falls apart when secrets revealed require making promises and opening up to the possibilities of hurt and hope.

Leo Bailey has so far escaped the curse of the date shark business. He fills in when needed, but has held onto his casual relationships and family emergency-free existence. hover

Marriage and family are a vague idea for the future, but he’s not ready to give up the freedom of being single and answering only to himself.

When Piper Moretti witnesses the demise of yet another of Leo’s friends-with-benefits relationship, she doesn’t think much of it. She has a long list of more pressing responsibilities and headaches to occupy her mind.

Friends, and the strings that go with them, are at the bottom of her priority list.

When a date shark client who tops the list of bizarre behavior Leo has seen, his half-joking request for rescue drags Piper into the chaos and into Leo’s life.

Neither one wants more than a simple, no-stress friendship. Secrets and surprises force them to admit neither one is nearly as in control of their futures as they think they are.

Helping each other means getting involved, making promises, and opening themselves up to the hurt and hope they’re both terrified to face.

Off to enjoy the holidays!

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I hope everyone is enjoying the holiday season and getting a little time off to spend with friends and family! I’m off most of the week to spend time with my hubby and kids, so no other blogs this week, but thank you to all my readers for your support!

If reading is in your holiday plans, I have a gift for all my readers! Grab a FREE copy of one of the books below on Smashwords using the promo code paired with each one.

What Had to be Done: ZN49G

WHTBD front

The Oblivious Girl’s Handbook: BX93D

Oblivious Girls Handbook

Life & Being: NA84Z

Life and Being

HEA, HFN, and Realism

In most romance subgenres, happily ever after endings are a requirement. What exactly is an HEA ending, and how does it differ from an HFN or happy for now ending?

HEA and HFN both end happily. The main differences between them are for how long and on what terms will the characters be or remain happy?

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HEA’s simplest definition is that everything turns out for the best for the protagonists and any side characters. If there is an antagonist, they get what they deserved. HEA leaves the reader confident the happiness will continue long term with no major roadblocks or disasters.

HFN is often consider a more realistic type of ending. Not everything is perfect, but it’s pretty good for the moment and the circumstances. The protagonists’ lives have improved to a satisfying level, even if it isn’t the end goal and may not be permanent.

Now, let’s discuss making HEAs a little less predictable and, let’s admit it, less cheesy.

Make the characters work HARD for their HEA.

No quick resolutions or easy forgiveness. Leave the reader doubting it will happen right up to the last second. The “work” may be external or internal.

External work might be distance, others who keep them apart, lies or mistrust, etc. Internal work is a character overcoming internal issues, such as past hurts, commitment phobias, or held secrets.

Whatever type of work a character must do to reach their HEA, give them roadblocks and roller coaster ups and downs. Any time it starts to feel like things are getting to easy for them, hit them with another one that pushes them back a few steps.

Put a twist on a trope.

Romance has plenty of tropes to chose from. The difficulty is often making them unique and not just another Disney ending. HEA doesn’t always have to end with a kiss, sex, or a proposal.

What else signifies commitment? Exchanging house/apartment keys, adopting a pet, meeting family, etc.

The important thing to remember here is that the twist has to make sense and be relevant to the character’s arc. If a character is open and welcoming by nature, introducing her new love to her family at the end isn’t much of a twist, or very exciting. However, for a character who’s had to work through major issues with her domineering mother and has trouble opening her private life to people, introducing a new love to her mother would be a big step that showed trust and commitment.

Try unique situation and settings.

Very few real relationships reach the HEA moment over a candle-lit dinner or during a grand romantic gesture. Take a page out of reality and spice up a conversation over pizza or taking a walk and falling in love with a house listed for sale. Look for everyday moments that can be made special.

I love the scene from The Office when Jim proposes to Pam at a gas station. It’s a powerful moment, not only because it’s unexpected, but because his previous attempts at a grand gesture kept getting messed up and he simply couldn’t wait to start his life with her any longer.

Make the reader wait.

Whether this is a planned meeting that gets held up and makes a character doubt, a tough decision that is held off until the last moment, a sacrifice the reader isn’t sure a character will make, or something else, a pause before the HEA can up the reader’s anticipation.

In most romances, the reader knows there will be an HEA, but they don’t know how it will happen. If you’ve developed a strong story arc, every time the MCs get close, they’re pushed back apart, making the reader doubt their ideas of how it will all play out. Keep this up until the big moment. Then you can follow it up with a glimpse of what their HEA looks like long term.

One last note…

Make sure each character has their OWN happy ending before their relationship gets a happy ending. HEAs are even more unrealistic when the characters haven’t shown enough development for a reader to believe “true love” will last forever.

This doesn’t mean they have to be perfect, but they DO have to be capable of sustaining a long-term, committed relationship. Each character should have their own development arc and need to reach the climax of that arc before the story/relationship arc can reach it’s own climax.

Sensual attractive couple

Things to consider when writing intimate scenes

Writing intimate scenes, whether they involve a first kiss or sex, should be natural and progress with both the character’s nature and the overall storyline. These types of scenes should impact the characters in some way. If it doesn’t change anything, it either needs to be rewritten, moved, or gotten rid of entirely.

Romantic couple in a hotel room

The intensity of intimate scenes should not detract from the storyline. Take care to lead the reader into the scene with a building intensity, then guide them back down to the main focus of the storyline. If readers only care about the intimate scenes and skim the bulk of the story, either the story is too weak or the intimate scenes are too overpowering.

When describing what takes place during intimate scenes, especially in sex scenes, sometimes less is more and it’s best to let the reader fill in the details. That doesn’t mean you should skimp on the details, particularly sensory details, but give the reader room to craft an intimate scene to their own preferences by not being overly descriptive of every second.

Many writers find it challenge to find new ways or words to use when writing intimate scenes. It is key that these scenes not feel like they were copied and pasted from an earlier scene. Ways to accomplish this is often more about the details surrounding the scene than the actual act. Choose different settings so the description and sensory information is more varied. Change how a couple progresses toward an intimate scene. A kiss or sex after a romantic dinner is going to be much different than right after a soul-bearing admission or a fight. This gives new opportunities for internal dialogue and emotion.

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When it comes to word choice, don’t be afraid to use standard terminology. Getting too creative with euphemisms can be distracting for readers. Instead, focus on motions and actions involved, and the characters’ responses. Describing where an arm or leg is isn’t what gets most readers attention. The response to where that kiss or finger is placed is what readers pay attention to and want more of. The reader wants to feel what the characters feel much more than they want a diagram of what went where.

Incorporate agency into these scenes to avoid objectifying either sex or treating characters as passive bystanders. In most cases, both characters should be responding to the other’s needs and actions rather than expressing themselves “at” the other person. There should be a give and take in both physical action and mental/emotional responses.

Structure an intimate scene just a you would any other story or scene: foreplay, action, climax, wind down. Whether the characters move through this arc quickly or slowly depends on the circumstances. Regardless, it’s important to hit all points of the arc. Lead into the moment as slowly as is fitting to buildup the reader’s anticipation. Begin the action and capture the characters’ thoughts and reactions to each action. Hit the climax on multiple levels, not just physical. Slowly bring the reader back to the storyline as the scenes concludes with a hint or lead-in to what’s coming next or the repercussions of what just happened.

Keep the focus of intimate scenes on what they mean to the characters and how it impacts them more so than just description of what went where.

Sensual attractive couple

Re-releasing the Date Shark series

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Earlier this year, I got the rights back to my Date Shark series, and I knew it wasn’t going to be as simple as simply republishing them for several reasons.

The editing on the first book had been horrible, and I realized when I started re-editing that the edits I had sent back to the publisher five years ago had been ignored. I’d received multiple complaints about the editing from readers when it first published, but it was out of my hands at that point.

The editing did improve over time as the publisher I was working with upgraded their editing staff, but there were still enough errors remaining that I knew the entire series needed to be re-edited. That process took me almost five months because I didn’t have a lot of spare time after starting a new job at the newspaper and taking on a few too many freelance projects.

I also needed new cover art before I could republish the series. I was happy to redo the first book’s cover, but I had chosen the model art for books two through four, so at least I didn’t have to start completely from scratch. My main challenge was not being able to use the cool shark fin A in the original cover art and trying to find something comparable. My husband helped me choose a new font and rightly steered me away from trying to include any water-like effects and just go with the sketched shark logo instead.

My next challenge was when to re-release each book. I asked other authors and got advice on scheduling, but in the end, it took me so long to format each book that they ended up spacing themselves out well enough, for the most part. Books two and three released within days of each other because, honestly, I was sick of working on them and just wanted to be done.

Going back through these books was actually a fun experience overall. I hadn’t chatted with these characters in almost three years and had forgotten how much I loved them! Sabine and Michael’s story is still my favorite of the series, and rereading the books reminded me that poor Leo never got to have his own story.

I had planned to give Leo a voice as the final book in the series, but because of issues with the publisher and limited writing time back then, I stored the idea away for later. I do have some other projects that need attention, but I want to eventually come back to Leo’s story and finish off the series by giving him his own happy ending.

For now, the series is back up on all the major retailers and ready to meet new readers!

You can find all the links here.

The Date Shark series is back!

The Date Shark Series is available again is independent books, complete with new covers and editing!

The first book in the series was so much fun to write. It was a challenge not to rely on anything supernatural to keep the story going, but it made me work harder and I was really pleased with the results. The idea for this book came from an experience I had when I submitted a query letter to “The Query Shark,” which she promptly ripped to shreds (deservedly) and set me on the right path. I couldn’t help but wonder what it would be like if there was a similar “shark” for women who needed a dating overhaul.

Date Shark, book 1

Date Shark FRONTLife as the marketing director for a popular fashion boutique is overwhelming for Leila Sparrow, to say the least.

She’s not sure what ever possessed her to add revamping her dating life to her already hectic schedule. Calling in renowned Date Shark, Eli Walsh seemed like a good idea until she actually met with him…

Date Shark was only meant to be a side-enterprise to his thriving couple’s therapy practice, but Eli Walsh knows it’s become more of an obsession.

At least, it was until he agreed to take on Leila. Somehow she has stolen his entire focus. He wants to admit his fascination with her and growing romantic interest, but he knows coming on too strong will scare her away.

His plan to convince her that she is worth any man’s interest by first being her friend is challenged when his tips start to pay off and Leila begins dating Luke.

Will his friendship with Leila mean the end to any romantic pursuit?

Available Now!

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Shark Out Of Water, book 2

Shark Out Of Water FRONTGuy Saint Laurent is too busy cursing his sister for roping him into taking over Eli’s Date Shark business to prepare himself for the slew of bizarre women he’s about to get involved with. This is the last venture he intended to take on, but somehow he’s just become Chicago’s newest, most reluctant Date Shark.

On top of dealing with bug-toting, mothering, obsessive women, Guy faces personal tragedy that changes his outlook on life, whether he wants it to or not. He’s not sure what it is about Charlotte Brooks that draws him in, but getting her off his mind after a brief encounter proves impossible.

As Charlotte tries to help Guy deal with his loss, he begins to get the impression she’s hiding something from him. He knows he could simply walk away, continue as he always has, but he suspects whatever she’s hiding, she won’t be able to face it alone.

Charlotte is the one woman who can capture his attention, but she may also be the one woman capable of breaking him.

Available Now!

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The Only Shark In The Sea, book 3

The Only Shark In The Sea FRONTVance Sullivan has always been the rock everyone turns to for help…

His work with patients recovering from traumatic events makes him the perfect person to help his friend, Guy Saint Laurent, with one of his Date Shark appointments. When Vance meets hesitant, frightened Natalie Price, he suspects she’s hiding the truth behind her fears, and he’s drawn in by a need to help her.

Haunted by a terrible event from her past, Natalie can’t even endure being touched without suffering a crippling panic attack…

She doesn’t know why, but Natalie feels Vance might be the only one who can help her put the pieces of her life back together. Despite the tension their arrangement causes with his girlfriend, their bi-weekly sessions seem to be helping…as long as he keeps his promise not to push her to reveal more than she’s ready to share.

Suddenly the tables have turned…

When Vance suffers his own unspeakable tragedy, asking for help is the last thing he wants to do. Drowning in grief and guilt, crushed by betrayal and lies, Vance needs a lifeline.

Natalie has no idea why anyone thinks she can help him, given her own deep-rooted fears—but she knows she has to try. A twisted notion of justice makes the danger all too real, and Vance and Natalie realize it might take one broken soul to mend another…

Available Now!

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Shark In Troubled Waters, book 4

Shark In Troubled Waters FRONTSabine Saint Laurent is known as the Princess of Paris. Polite, beautiful, charming, polished…perfect.

Everything is always under control, and when it isn’t, she handles it. It’s been an eventful few years with friends getting married, having babies, getting kidnapped, and almost dying, but she’s made it through each upheaval with poise. Just as she’s looking forward to things calming down, her entire life is upended by a startling piece of news.

Aside from her agent managing her day-to-day affairs, Sabine does not ask for help. Not even from her close knit group of friends and family. So when she finds herself struggling to cope with major changes in her life, she’s determined to power through on her own. It should be easy enough. Everything is always easy for Sabine: modeling, men, money, languages, art, cooking. Finding out she’s pregnant shouldn’t be any different, right?

Except it’s not easy. Nothing about navigating pregnancy, custody, complications, and a man she despises trying to seduce her is simple. Michael Moniteau’s intentions are questionable, but she desperately needs help and he’s the only one who understands enough to give it. It could be the beginning of something wonderful, or it could break the heart she’s kept carefully shielded for so long.

Available Now!

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Torino Dreams is Available Now! #newrelease #romance

Kate can fix the damage to Sam’s car after their accident, but can she protect herself from falling for him and putting all their lives in danger?

Torino Dreams

Torino Dreams Front Cover Final Kate hates hiding, but the risk of her past sneaking up on her is too great to risk getting involved in anyone else’s problems. At least, until getting involved is the only way to avoid a run-in with the police.

The snow was to blame for the car wreck, but desperation forces Kate to make Sam an offer she’s sure she’ll regret. If she can fix Sam’s car and send him on his way without the getting the cops involved, she can get back to her normal, safe life.

It should be easy enough. Kate knows cars better than almost anything else. She can repair the damage to the car, but can she protect herself from falling for Sam and putting everything she’s worked for in danger?

This is a standalone book, so no waiting for part 2!

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The Oblivious Girl’s Handbook #sweetromance

The Oblivious Girl’s Handbook

Oblivious Girls HandbookHandbook Series #2

Being oblivious to all the signs that your life is about to fall apart doesn’t stop it from happening to Sara Taylor.

Alone except for the Siamese cat her boyfriend—ex-boyfriend—Joseph left behind to teach her a lesson, Sara has no clue how to survive on her own. She hasn’t handled her own bills in years, can’t meet a deadline without someone else programming alarms into her phone, and is constantly either losing important things or getting herself hopelessly lost. Sara has no idea how she’s supposed to move out of her university apartment and start her first real job without someone there to hold her hand.

Although she knows her new friend Monroe would step in to help, she’s not about to call him after having thrown him out of her apartment when his suspicions about Joseph prove true and Sara is left angry and mortified. It doesn’t take long before she is desperate to lean on someone else’s strength, even for just a few minutes, as real life begins to overwhelm her. Pride forces her to either sink or swim, even when sinking seems the most likely outcome.

The Oblivious Girl’s Handbook is available as a novella in the “Christmas Pets and Kisses 2” box set and as a full novel, where Sara faces the difficulties of a new relationship while barely holding onto being a real adult for the first time in her life.

Buy or read FREE on Kindle Unlimited

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Christmas, Pets & Kisses 2 Novella Box Set

CPK2 Box Set 3D croppedYou can now purchase the CPK2 box set for only $0.99!

Kindle * B&N * iBooks * Kobo