Book Blurbs: Crafting the Blurb

While the hook is critical to a great blurb, the body of the blurb deserves equal attention. Consider it’s effectiveness as a whole as well as it’s individual parts.

Word Choice Matters

Choosing the right words can make all the different in a blurb. Be certain to make sure your word choice communicates the tone of the story by using words that fit the genre and situation. A dark thriller will use more intense wording while a rom-com will use light, fun words.

Word choice should also match the time period and regional setting. If you’re writing historical fiction that should be apparent within a few sentences through carefully selected words and phrases. Maintain regional accuracy without overloading the blurb with slang or colloquialisms.

It’s also all right to use hyperbole when appropriate, such as “unimaginable” for a shocking crime or “intoxicating” for a sudden and passionate romance, but don’t overdo it. Stuffing the blurb with hyperbole will exhaust the reader.

Avoid clichés, superfluous words, description, unnecessary adverbs, and “chatter” as much as possible. The blurb should be too the point and directly communicate the basics of the story to the reader.

Be Concise

Blurbs should run 100-150 words in most cases. Blurbs placed on the back cover of a book may be longer depending on space available during formatting. Blurbs for online retailers should be on the shorter end of the range since people browsing often skim.

Don’t try to tell the reader everything you think might interest them in a blurb. Stick to the important highlights and leave backstory, secondary characters, subplots, and similar information to be discovered when reading the full book.

It may be helpful to start writing a blurb with bullet points to sift out what should and shouldn’t be mentioned. Expand on the bullet points with 1-2 sentences about each point.

Utilizing Cliffhangers

This isn’t a must in a hook, but for many stories a cliffhanger ending in a blurb will be a good nudge for readers toward purchasing.

Cliffhangers can also help you avoid giving away too much in a blurb. Cliffhangers focus on the main conflict the characters face but only hint at a possible resolution. It’s important to present the problem and leave readers wondering how the character will overcome it.

The answer to how the story will resolve shouldn’t be too obvious.

Even with books that are more formulaic, it’s important to make the reader curious about how this particular story will unfold. While most romances end in a happily-ever-after scenario, they don’t (or shouldn’t) all reach it the same way. Hint at the uniqueness and leave it at that.

Formatting the Blurb

Once you’ve finished crafting the blurb, the work isn’t quite done. It’s important to format blurbs according to genre conventions. Each main genre has it’s own nuances when it comes to formatting. Fore example:

Contemporary romance tends to use short, 1-2 sentence paragraphs that highlight main points of the storyline.

Historical romance tends to use longer paragraphs with a more in-depth summary of each point of interest.

Study blurbs on Amazon in your genre to make sure you’re formatting correctly. Of course, sometimes you need to break out of conventions to highlight a unique aspect of your story, but make sure there’s a reason for using a unique format and that it conveys the tone or action of the story.

Effective blurbs intrigue readers. Highlight the most interesting aspects of the book that will hook readers and make the need to find out more great enough to click the buy button.

Reiki series by Margaret Cheasebro

I recently had the opportunity to work on a nonfiction formatting and cover design project for the lovely Margaret Cheasebro. I love how the covers turned out and I had a lot of fun working on a more complex formatting project.

Margaret is a master level reiki instructor, so if your interested in learning more about the topic, check out her books here.

Indie Author Basics: Production Costs

What does it cost to be an indie author? It’s question many new writers want to know. When you take on the production cost of a book, you need to know where those costs will fit into your budget.

***Quick note to say I will be moving my weekly posts to Tuesdays***

Editing

The cost of editing depends on what type of editing you need for your project.

Developmental editing is the most involved and the most expensive. A developmental editor will help you work out problems with the story/characters and help improve the flow and style . It will cost you about $0.08/word or $20/page.

Copyediting is less involved and doesn’t dig into story or character problems. It mainly deals with improving sentence structure and readability, as well as generally tightening up the writing. It will cost you about $0.02/word or $5/page.

Proofreading in the least involved and least expensive, but requires the writer (or a previous round of editing) to have cleaned up the manuscript as much as possible. Proofreading aims to catch typos and punctuation errors, not fix major issues. It will cost you about $0.01/word, $3/page.

Cover Design

The cost depends on whether you want an ebook cover only, a full wrap cover for a paperback, or both, as well as whether you want a customer cover (with stock or exclusive photos) or a premade cover.

Premade covers are the least expensive option, but offer the least ability to customize. Most quality premades are in the $30-$50 range. Most premades are only ebook covers, but many designers offer an add on option to turn it into a full wrap if you need it.

Stock photos in a custom cover will be less expensive than using exclusive photos. Custom covers are usually in the $50-$150 range for ebook covers and you can plan to add another $30-$50 to add a full wrap to the package. The range has to do with how many photos are need for the cover. More photos means more cost.

Exclusive images guarantee no one else will have your same cover, but you’ll pay for that privilege. Plan on $500 and up for a custom photo shoot.

Formatting

Formatting for ebooks and paperbacks can be learned by those with knowledge of Word or the willingness to learn software like Jutoh, Kindle Create, or Calibre. InDesign is a professional level software that has a steep learning curve, but is doable if you’re on a tight budget and willing to put the time in.

If you want to hire out formatting, the cost will depend on the type and difficulty. Images will up the difficulty in any project, as will graphics like charts, table, multiple frames, etc.

For fiction ebook formatting, plan on $150-$250. For print formatting, plan on $200-$300. Most formatters will offer package pricing to do both at once.

Setup and Extra Help

Most authors with basic computer skills will be able to create their accounts and upload their documents without help. Those who run into problems or have limited computer skills or access, having someone tackle this part of the publishing process is available. An average cost is around $20/hour.

Production on a Tight Budget

If you are working with a small budget and want to do as much yourself as possible, be honest with yourself about your skill level in each category.

Learning to format in Word is a great way to cut costs. Designing your own book cover when you have no design experience is not. Start with a premade cover and upgrade when your budget isn’t as tight.

Editing your own book is extremely difficult. If you can’t afford a professional editor yet, trade with another author or see if a local teacher could help out for a lower fee.

The goal is putting out a professional product. Save money where you can, but not at the cost of putting out a subpar book.

Indie Author Basics: Responsibilities of an Indie Author

Without a traditional publisher, what do indie authors need to handle on their own?

The list may be long, but it doesn’t have to be overwhelming. Breaking everything down can help you decide which tasks to learn to do yourself and which to hire out.

I’ll break these down in the coming weeks, but here’s a broad list of what indie authors devote their time to when not writing:

Production costs

These costs include editing (developmental, copy editing, proofreading), cover design, formatting, setup, distribution fees. Next week, I’ll break down costs for each of these as well as options for reducing the overall cost of book production.

Marketing

Marketing includes building a plan and carrying it out, learning about paid advertising and booking ads, setting up and managing social media accounts, participating in online and in-person events, writing and sending out press releases, and much more.

Networking

When it comes to networking, it’s important to engage with the author community, join groups and lists, make friends for support, find beta readers or critique partners, and learn from others in the industry.

Collaborate

Collaborations that are popular right now include box sets, worlds, promo groups, etc. These collaborations help authors expand their audience and reach, as well as learn more about marketing and promotion.

Reaching Out

Reaching out to media, stores, businesses, etc. is part of marketing, but for many people it’s a different skill than interacting on social media or booking ads. Different types of stores have different requirements for booking an author signing, and bookstores aren’t the only option for signings. Learning how to approach a business, radio station, newspaper, etc. the right way can make a difference in being accepted.

Events

Without an agent or publisher, indie authors are often responsible for organizing their own signings, publicity events, participation in books fairs, speaking engagements, conferences, etc. Learning about what types of events are worth while, how to get involved, or what type of classes to submit to a conference can help you make solid plan.

Over the next few weeks I’ll be discussing each of these topics in more detail. Follow the blog to make sure you don’t miss a topic!

New Release: What Had to be Done

I read “Persaded” by Jane Austen several years ago as part of my ongoing quest to read more classic literature. I’ll be honest and say a lot of the classics I’ve tried have been a challenge to get through. This wasn’t one of them. I really enjoyed reading “Persuaded” by was intrigued by the idea of making it a little more current for younger readers. It took only a couple of months to write, but it’s taken several years to get back to it for editing, cover design, and actually getting it published.

Now, it finally available in ebook and paperback!

What Had To Be Done

WHTBD frontEveryone has bad days. Anna Elizondo is going on three years of bad days.

It started with her mother’s illness and eventual death, continued with a decision that ruined a friendship, and culminated in her father announcing they were broke and moving away right before her senior year of high school.

Maybe a fresh start will turn things around.

Or maybe it will put her face to face with her former best friend Felix and the hatred in he still carries for her.

The only bright spot in Anna’s move to Santa Fe is meeting her new swim coach, a long-time hero who has big plans for her athletic career. The pool is her refuge, but she can’t hide there forever. Living in a small town makes it impossible to stay out of Felix’s way, and unlikely their history will remain just between them for long. If Anna can’t find a way to make things at least tolerable with Felix, it’s going to be a very long summer.

Available now!

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Re-releasing the Date Shark series

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Earlier this year, I got the rights back to my Date Shark series, and I knew it wasn’t going to be as simple as simply republishing them for several reasons.

The editing on the first book had been horrible, and I realized when I started re-editing that the edits I had sent back to the publisher five years ago had been ignored. I’d received multiple complaints about the editing from readers when it first published, but it was out of my hands at that point.

The editing did improve over time as the publisher I was working with upgraded their editing staff, but there were still enough errors remaining that I knew the entire series needed to be re-edited. That process took me almost five months because I didn’t have a lot of spare time after starting a new job at the newspaper and taking on a few too many freelance projects.

I also needed new cover art before I could republish the series. I was happy to redo the first book’s cover, but I had chosen the model art for books two through four, so at least I didn’t have to start completely from scratch. My main challenge was not being able to use the cool shark fin A in the original cover art and trying to find something comparable. My husband helped me choose a new font and rightly steered me away from trying to include any water-like effects and just go with the sketched shark logo instead.

My next challenge was when to re-release each book. I asked other authors and got advice on scheduling, but in the end, it took me so long to format each book that they ended up spacing themselves out well enough, for the most part. Books two and three released within days of each other because, honestly, I was sick of working on them and just wanted to be done.

Going back through these books was actually a fun experience overall. I hadn’t chatted with these characters in almost three years and had forgotten how much I loved them! Sabine and Michael’s story is still my favorite of the series, and rereading the books reminded me that poor Leo never got to have his own story.

I had planned to give Leo a voice as the final book in the series, but because of issues with the publisher and limited writing time back then, I stored the idea away for later. I do have some other projects that need attention, but I want to eventually come back to Leo’s story and finish off the series by giving him his own happy ending.

For now, the series is back up on all the major retailers and ready to meet new readers!

You can find all the links here.

The Date Shark series is back!

The Date Shark Series is available again is independent books, complete with new covers and editing!

The first book in the series was so much fun to write. It was a challenge not to rely on anything supernatural to keep the story going, but it made me work harder and I was really pleased with the results. The idea for this book came from an experience I had when I submitted a query letter to “The Query Shark,” which she promptly ripped to shreds (deservedly) and set me on the right path. I couldn’t help but wonder what it would be like if there was a similar “shark” for women who needed a dating overhaul.

Date Shark, book 1

Date Shark FRONTLife as the marketing director for a popular fashion boutique is overwhelming for Leila Sparrow, to say the least.

She’s not sure what ever possessed her to add revamping her dating life to her already hectic schedule. Calling in renowned Date Shark, Eli Walsh seemed like a good idea until she actually met with him…

Date Shark was only meant to be a side-enterprise to his thriving couple’s therapy practice, but Eli Walsh knows it’s become more of an obsession.

At least, it was until he agreed to take on Leila. Somehow she has stolen his entire focus. He wants to admit his fascination with her and growing romantic interest, but he knows coming on too strong will scare her away.

His plan to convince her that she is worth any man’s interest by first being her friend is challenged when his tips start to pay off and Leila begins dating Luke.

Will his friendship with Leila mean the end to any romantic pursuit?

Available Now!

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Shark Out Of Water, book 2

Shark Out Of Water FRONTGuy Saint Laurent is too busy cursing his sister for roping him into taking over Eli’s Date Shark business to prepare himself for the slew of bizarre women he’s about to get involved with. This is the last venture he intended to take on, but somehow he’s just become Chicago’s newest, most reluctant Date Shark.

On top of dealing with bug-toting, mothering, obsessive women, Guy faces personal tragedy that changes his outlook on life, whether he wants it to or not. He’s not sure what it is about Charlotte Brooks that draws him in, but getting her off his mind after a brief encounter proves impossible.

As Charlotte tries to help Guy deal with his loss, he begins to get the impression she’s hiding something from him. He knows he could simply walk away, continue as he always has, but he suspects whatever she’s hiding, she won’t be able to face it alone.

Charlotte is the one woman who can capture his attention, but she may also be the one woman capable of breaking him.

Available Now!

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The Only Shark In The Sea, book 3

The Only Shark In The Sea FRONTVance Sullivan has always been the rock everyone turns to for help…

His work with patients recovering from traumatic events makes him the perfect person to help his friend, Guy Saint Laurent, with one of his Date Shark appointments. When Vance meets hesitant, frightened Natalie Price, he suspects she’s hiding the truth behind her fears, and he’s drawn in by a need to help her.

Haunted by a terrible event from her past, Natalie can’t even endure being touched without suffering a crippling panic attack…

She doesn’t know why, but Natalie feels Vance might be the only one who can help her put the pieces of her life back together. Despite the tension their arrangement causes with his girlfriend, their bi-weekly sessions seem to be helping…as long as he keeps his promise not to push her to reveal more than she’s ready to share.

Suddenly the tables have turned…

When Vance suffers his own unspeakable tragedy, asking for help is the last thing he wants to do. Drowning in grief and guilt, crushed by betrayal and lies, Vance needs a lifeline.

Natalie has no idea why anyone thinks she can help him, given her own deep-rooted fears—but she knows she has to try. A twisted notion of justice makes the danger all too real, and Vance and Natalie realize it might take one broken soul to mend another…

Available Now!

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Shark In Troubled Waters, book 4

Shark In Troubled Waters FRONTSabine Saint Laurent is known as the Princess of Paris. Polite, beautiful, charming, polished…perfect.

Everything is always under control, and when it isn’t, she handles it. It’s been an eventful few years with friends getting married, having babies, getting kidnapped, and almost dying, but she’s made it through each upheaval with poise. Just as she’s looking forward to things calming down, her entire life is upended by a startling piece of news.

Aside from her agent managing her day-to-day affairs, Sabine does not ask for help. Not even from her close knit group of friends and family. So when she finds herself struggling to cope with major changes in her life, she’s determined to power through on her own. It should be easy enough. Everything is always easy for Sabine: modeling, men, money, languages, art, cooking. Finding out she’s pregnant shouldn’t be any different, right?

Except it’s not easy. Nothing about navigating pregnancy, custody, complications, and a man she despises trying to seduce her is simple. Michael Moniteau’s intentions are questionable, but she desperately needs help and he’s the only one who understands enough to give it. It could be the beginning of something wonderful, or it could break the heart she’s kept carefully shielded for so long.

Available Now!

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Eliza Carlisle is Back and Stirring Up Trouble

Exciting news for Eliza Carlisle fans!

The Catalyst is available again (post-Kindle World rewrite version) for purchase as an ebook on Kindle, B&N, and Smashwords. Apple Books and Kobo are coming soon as well! The Catalyst is also available in paperback for the first time!

Catalyst reboot available now

Looking after Eliza Carlisle is about as easy as bathing a cat!

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MORE exciting news is that book 4, Incendiary, is close to being finished and will be released in early 2019!

Here’s a sneak peek!

Incendiary (Coming Soon)

Eliza Carlisle Mystery, Book 4

Incendiary FRONT

How long can Eliza keeping looking over her shoulder before she finally sees her own death approaching?

New Year’s means resolutions, getting on track, making decisions.

For Eliza Carlisle, starting a new year means making tough choices, even if those decisions mean losing friends and possibly getting kicked out of culinary school. She’s all set to take her life in a new direction when her demented half-brother Simon’s reappearance changes everything.

Broken and more alone than she’s been since fleeing her childhood home, Eliza struggles to hang onto the fragile threads that are holding her life together. Only a comically disastrous young chef and the threats against her life pull Eliza out of her fog of self-loathing. Saving seven-year-old Clara means ignoring the threat Simon now poses and surrendering to burnt grilled cheese sandwiches and whipped cream-splattered kitchens…not to mention family secrets, death threats, and a whole host of spy gadgets. And who can forget about Baxter?

With so much mounted against her, Eliza has as much chance of surviving the criminal elite, her psychotic half-brother, and Baxter’s determined advances as she does escaping Chef Harper’s quest to kill her culinary dreams.

Book Cover: Memory’s Edge

Coming Summer 2016

Gretchen brought her car to a screeching halt in the middle of the highway, terrified she had just killed someone. The body lying on the road appeared so suddenly, she barely had time to hit the brakes. Luckily, she stopped short of him. Unluckily, someone else hadn’t. Her call for help may have saved his life, but the damage done may be impossible to repair.

Waking with no memory of who he is or how he ended up a broken mess in the hospital, he has no choice but to rely on his rescuer for help. “John Doe” is his only identity until fragmented memories begin cropping back up. They are only fleeting images of a woman, but John hides even that from Gretchen, afraid it will lead him back home and away from the woman he is quickly falling in love with.

Memorys Edge FRONT

 

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